Juxtapoz Journal – Timothy Curtis Presents “Inkblots and Feeling Charts” That Are Each Common and Deeply Private
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We’re continuously ourselves within the mirror. Possibly that mirror is a bodily actuality, or perhaps it is extra of the summary idea of what a mirror is, however we’re continuously coping with ourselves on this new trendy world. Give it some thought. Social media, self-help, recommendation, remedy, emotions, relationships, household, and sharing sharing sharing sharing till we can not seem to even discover what it’s that we initially have been searching for, appears to be the definition of the instances. We’re continuously confronted with a situation of selfhood, both a scarcity thereof or an abudance of it. There’s something stunning in the way in which that Timothy Curtis lets himself be weak and a bit important in his first museum present, Inkblots and Feeling Charts, presently on view at Atlanta Up to date.
Utilizing the marks and faces that he utilized in his graffiti, producing an understaning of his personal incarceration a decade in the past, Curtis is vacating a pretension of holding himself at arm’s size in these works however is vividly naked right here. You may see him, within the studio, figuring out these feelings, understanding himself as an evolving individual but additionally a person artist. What do you convey with you out of your previous? What do you’re feeling within the second? What’s it that we universally can perceive about emotions and particular person want but additionally use as a template for others. Curtis’ personal development from his cowl story with Juxtapoz years in the past to his ascension to a really distinctive up to date artwork stalwart, it is a man who’s charting his personal path. And actually given us a blueprint of how he’s doing it. —Evan Pricco
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